- master,
Wethey reduced the
number to 285
authentic works and
Halldor Sœhner, a
German researcher of
Spanish art,
recognized only 137.
Wethey and other...
-
Epilogue to
Byzantine Culture, 160–174 H.E.
Wethey, El
Greco and his School, II, 56, 80, and 97 H.E.
Wethey. "Greco, El". Encyclopædia Britannica. F. Philipp...
-
Wethey believes it was
painted between 1595 and 1600
because of the
similarities to El Greco's
other piece,
Saint Joseph and the
Christ Child.
Wethey...
-
Harold Edwin Wethey (April 10, 1902 ―
September 22, 1984) was an
American art
historian and educator. From 1940 to 1972,
Wethey was a
professor of art...
- Greco,
Wethey reduced the
number to 285
authentic works.
Halldor Sœhner, a
German researcher of
Spanish art,
recognized only 137. Both
Wethey and Sœhner...
- is
signed doménikos theotokópolis (sic) e`poiei. It is X-433 in
Harold Wethey's catalogue raisonné and 64-g in
Tiziana Frati's. Cossío,
Mayer and Camón...
- The
canvas appears as
catalogue number 31 in
volume one of
Harold E.
Wethey's, The
Paintings of Titian. The
Crucifixion has
influenced a
number of works...
-
Wethey, El
Greco "probably
recalled late
Byzantine paintings in
which the
superposition of
heads row upon row is emplo**** to
suggest a crowd".
Wethey...
- doi:10.1086/EMW23617325. JSTOR 23617325. S2CID 164805076.
Harold Edwin Wethey The
Paintings of Titian: The Portraits, Phaidon, 1971, p. 275. Peirce, Leslie...
- by El Greco, now in the El
Greco Museum in Toledo. It
appears in
Harold Wethey's catalogue raisonné of the artist's
works as
number 137 and in
Tiziana Frati's...
