- room; Room 4:
classical Cremonese violinmaking – The room
introduces visitors to the
history of
Cremonese violinmaking industry and the
works of the famous...
- of violins. A
trove of
correspondence and
memoirs on the
history of
violinmaking known as the
Carteggio forms the
basis of his biography. Cozio's meticulous...
-
Sharon Que (Querciagrossa) (born May 18, 1960 in Detroit, Michigan) is an
American visual artist and luthier,
based in Ann Arbor,
specializing in violin...
- Munich, but
dropped out to help
support the family. He then
attended a
violinmaking school in Mittenwald,
graduating four
years later. In 1960 he immigrated...
-
faculty of the
Oberlin Violinmaking Workshops for many
years and was a
frequent workmanship judge for the VSA’s
Violinmaking Competitions, the Cremona...
-
after Paul's retirement.
Nancy and Hans
studied violin making at the
Violinmaking School in Mittenwald.
Luthier Eric Benning,
Nancy and Hans' son who trained...
- 1687 he
entered priesthood. He
pursued both careers,
priesthood and
violinmaking,
throughout his lifetime. It is ****umed that he took the
surname "Amati"...
-
luthiers standardized the
violin family of instruments, and
Cremonese violinmaking techniques are
still considered by many to be the best in the world....
-
environment that was to
dominate early to
middle 20th
Century Italian violinmaking. The
result of this
highly successful business model was that
Milan became...
-
Stradivari was also apprenticed. Undoubtedly,
Giuseppe learned the
craft of
violinmaking in his father's shop.
Giuseppe Guarneri's
style has been
widely copied...
