- here, p. 6) Further,
Rifkin notes p****ages that
would have used the
violinistic technique of bariolage.
Rifkin also
suggests that Bach was
inspired to...
-
wrote to the
superintendent of St Andrew's: "He is
nothing short of a
violinistic genius and of such
exceptional quality that we want to make the greatest...
- that the
original melody instrument was the violin,
because of the many
violinistic figurations in the solo part—string-crossing, open
string techniques—all...
-
Paganini was
instrumental in the
revival and po****rization of
these violinistic techniques.
Another aspect of Paganini's
violin techniques concerned...
- City,
Albert Meiff, who was
immediately critical of the work from a
violinistic standpoint.
Meiff proceeded to
write Fels a
letter (November 13) in which...
- that the
original melody instrument was the violin,
because of the many
violinistic figurations in the solo part—string-crossing, open
string techniques—all...
- of the
Fugue in G
minor for
violin and continuo, BWV 1026,
which has
violinistic writing similar to that in BWV 1001–1006,
provides support for the commonly...
-
meanwhile that I
actually composed the
Preludes for piano. They
sound so
violinistic." 1935,
Leopold Stokowski arranged no. 14 for orchestra. In 2000, composer...
- set
against a
brief melodic subject that
first falls, then rises. Such
violinistic figures are
frequently encountered in
Baroque music and that of Bach...
-
Third Violin Sonata, Op. 108.
Although bariolage has been an
established violinistic technique since at
least the
early eighteenth century, in contemporary...
