- (a.k.a. copperas)
mixed with
white chalk. The
pigment contains up to 50% of the
ferric oxide. Historically,
Venetian red was a red
earth color often used...
-
horizontal slats instead of
lenses Venetian chalk, a
white compact talc or
steatite used
especially for
marking on
cloth Venetian mask, a
special variety traditionally...
-
chalk or whiting,
which compromised the whiteness,
brittleness and
weight in
comparison to
Venetian ceruse. The
primary active ingredient in
Venetian...
-
Venetian gl**** (Italian:
vetro veneziano) is gl****ware made in Venice,
typically on the
island of
Murano near the city.
Traditionally it is made with a...
- red
chalk along with
limited natural chalks. As
drawing techniques evolved,
artists combined red
chalk with
other chalks,
including white chalk. The...
-
throughout the main
artistic centres of
Europe within a very few years. The
Venetian artist Jacopo de' Barbari, whom Dürer had met in Venice,
visited Nuremberg...
-
Pietro Longhi (5
November 1701 – 8 May 1785) was a
Venetian painter of
contemporary genre scenes of life.
Pietro Longhi was born in
Venice in the parish...
- with the
theme of
Madonna and Child. The
attribution of the
portrait of a
Venetian Senator (National Gallery, London) was
debatable until the last century...
- Tintoretto, a
decade senior,
Veronese is one of the "great trio that
dominated Venetian painting of the cinquecento" and the Late
Renaissance in the 16th century...
-
pigment to near-white by
mixing in
differing quantities of
chalk. This
mixing of
pigments with
chalks is the
origin of the word
pastel in
reference to pale...
