- Novello, Ewer & Co. Eskew,
Harry (1970), "Using
Early American Hymnals and
Tunebooks", Notes, vol. 27, no. 1, p. 19, JSTOR 896750, ...in
early America there...
- the same
tonic pitch. It was
reprinted in many of the
early shape note
tunebooks, but not in the
Sacred Harp (1844), in
which Jeremiah Ingalls's "Christian...
-
compiler of
shape note
tunebooks. He is best
known for his 1816
compilation Kentucky Harmony,
which is the
first Southern shape-note
tunebook.
According to musicologist...
-
Kentucky Harmony is a
shape note
tunebook,
published in 1816 by
Ananias Davisson. It is the
first Southern shape-note
tunebook. The
first edition of the Kentucky...
-
Laighton and titled, "Song of the Old Folks". This song was
included in the
tunebook,
Father Kemp's Old
Folks Concert Tunes published in Boston, M****achusetts...
- leader,
shape note "singing master", and
compiler of four
shape note
tunebooks, most
notable of
which are the
influential The
Southern Harmony and The...
-
derived from The
Sacred Harp, a
ubiquitous and
historically important tunebook printed in
shape notes. The work was
first published in 1844 and has reappeared...
- 1939.
Retrieved 16 June 2015. Henderson, C. W. (2008). The
Charles Ives
Tunebook.
Indiana University Press. p. 141.
Catalog of
Copyright Entries: Musical...
-
through several editions, and
became one of the most po****r
southern tunebooks in the 19th century. In 1867
Walker claimed over 600,000
copies had been...
-
called "First New
England School") were
essentially hymnals. In 1801, the
tunebook market was
greatly expanded by the
invention of
shape notes,
which made...
