- his
tumbaos span two or even four
claves in duration,
something very
rarely done previously. He also made more use of
muted tones in his
tumbaos, all...
- pre-Revolution
tumbaos last one
clave before repeating. Two-clave
tumbaos became dominant in the 1970s and 80s. By the 1990s,
tumbao lengths of four...
-
points out that ****nio Rodríguez's
conjunto introduced the two-celled b****
tumbaos, that
moved beyond the simpler, single-cell
tresillo structure. This type...
- "This
tumbao is not only
drastically different from the
salsa formula—it’s also very
different from
other timba tumbaos, from
other timba tumbaos by Tirso...
- this
style included several innovations. The b****
tumbaos were
busier and more
complex than
tumbaos typically heard in NY salsa. Some
guajeos were inspired...
- very
rarely done previously. He also made more use of
muted tones in his
tumbaos, all the
while advancing the
development of . The
example on the right...
-
Tumbao is a
barrio in the muni****lity of Maunabo,
Puerto Rico. Its po****tion in 2010 was 593. A new barrio,
appearing in the 2010 census,
Tumbao barrio...
-
structure [1]. But, the
final section of the danzón-mambo was
based on
tumbaos and
guajeos from the
montuno section of the son,
which created a complex...
- his
tumbaos span two or even four
claves in duration,
something very
rarely done previously. He also made more use of
muted tones in his
tumbaos, all...
- only the two
offbeats of
tresillo are sounded. This
tumbao is clave-neutral. Some
salsa tumbaos that have a
specific alignment with clave. The following...
