-
hyphos of Constantinople, the
monodic form of
Orthodox chant distincts the
troparic (apolytikia, theotokia, kontakia, etc.), the
heirmologic (related to the...
-
Petros Bereketis (Gr****: Πέτρος Μπερεκέτης) or
Peter the
Sweet (Πέτρος ο Γλυκής) was one of the most
innovative musicians of 17th-century Constantinople...
-
bottom of the pentachord, it
could appear regularly at the top like in the
troparic and
heirmologic melos: a (κε)—c (νη')—b (ζω')—a (κε) or D (πα)—F (γα)—E...
- the
reform of the 18th century,
which created a new
definition of the
troparic, heirmologic, and fast
sticheraric melos with
simple melodies of the two...
- For the
current tradition see the
print editions in use nowadays. The
troparic mele used in the
Anastasimataria is
usually close to the mele used in the...
- the
practice of psalmody.
Today the
sticheraric melos as
opposed to the
troparic melos are two
different cycles of the Octoechos. In the past, they had...
- and
theotokia (
troparic hymns dedicated to the
Mother of God);
according to the
Anastasimatarion neon of the New
Method the
troparic melos has the same...
- this
sticheron is just
performed with
standard psalmody in the
chromatic troparic melos of this
echos without being attributed to
anyone (listen to the choir...
-
ninth century, when it
introduced the book of tropologion, a
collection of
troparic and
heirmologic hymns which was
ordered according to the eight-w**** cycle...
- in the
early 19th
century redefined the mele
according to each
genre (
troparic, heirmologic, sticheraric, papadic), it also
transcribed for the first...
