- and
Theatre of the Oppressed, respectively)
against models of tragedy.
Taxidou, however,
reads epic
theatre as an
incorporation of
tragic functions and...
- the
connections and
overlaps between these different areas of activity".
Taxidou notes that "most
scholars now call 'Gr****'
tragedy 'Athenian' tragedy,...
- years"
Jameson 1998, p. 31; Olga
Taxidou offers a
critical account of Fuegi's
project from a
feminist perspective in
Taxidou 1995, pp. 381–384. Bertolt, Brecht...
- 441),
Cartledge (1997, 3–5),
Goldhill (1997, 54), and Ley (2007, 206).
Taxidou notes that "most
scholars now call 'Gr****'
tragedy 'Athenian' tragedy,...
- Fragments.
Harvard University Press. pp. 453–454. ISBN 0-674-99161-3.
Taxidou (2004, 99). page 401–405.
Raphael and
Macleish (1991, p. 14).
Raphael and...
- see
Taxidou; on Craig's
staging proposals, see Innes; on the
centrality of the
protagonist and his
mirroring of the 'authorial self', see
Taxidou and...
- Oberon. ISBN 1-84002-411-9. Kolocotroni, V****iliki, Jane
Goldman and Olga
Taxidou, eds. 1998. Modernism: An
Anthology of
Sources and Do****ents. Edinburgh:...
- p. 446. ISBN 978-0-313-30503-0. Kolocotroni, V****iliki; Goldman, Jane;
Taxidou, Olga (1998). Modernism – An
Anthology of
Sources and Do****ents. Chicago...
-
August 2005, pp. 51–66. V****iliki Kolocotroni, Jane Goldman, and Olga
Taxidou, Modernism: An
Anthology of
Sources and Do****ents,
University of Chicago...
- (2008) "Daphne
Craig (1935-1995)". data.bnf.fr.
Retrieved 6
September 2024.
Taxidou (1998). Craig,
Edward Gordon. The
Drama for
Fools / Le Théâtre des fous...
