- anudātta अनुदात्त "not raised" (unstressed, or low pitch,
grave accent) and
svarita स्वरित "sounded" (high
falling pitch,
corresponds to the Gr**** cir****flex...
- उदात्त (middle tone), anudātta अनुदात्त (lower tone),
svarita स्वरित (higher tone) and dīrgha
svarita दीर्घस्वरित (high tone extended).
These are usually...
-
independent svarita must
revert to a
sequence of two syllables, the
first of
which carries an udātta and the
second a so-called
dependent svarita.
Early Vedic...
- context. The
discussion there focusses on
three accent pitch or levels:
svarita (sounded, cir****flex normal),
udatta (high, raised) and
anudatta (low,...
-
grammarians refer to as "sounded" (
svarita). In some cases,
language change merged an
accented syllable with a
following svarita syllable, and the two were combined...
- shakha. In the Rigveda, anudātta is
written with a bar
below the line (◌॒),
svarita with a
stroke above the line (◌॑)
while udātta is unmarked. The end of...
- (nuqta) क् (virāma) ३ 3 (pluta) ᳵ ẖ (jihvāmūlīya) ᳶ ḫ (upadhmānīya) अ॑ ` (
svarita) अ॒ (anudātta) अ॓ (grave) अ॔ (acute) ॐ aum̐ । (daṇḍa) ॥ (double daṇḍa)...
- (nuqta) क् (virāma) ३ 3 (pluta) ᳵ ẖ (jihvāmūlīya) ᳶ ḫ (upadhmānīya) अ॑ ` (
svarita) अ॒ (anudātta) अ॓ (grave) अ॔ (acute) ॐ aum̐ । (daṇḍa) ॥ (double daṇḍa)...
-
hymns and mantras.[citation needed] Udātta: high
pitch Anudātta: low
pitch Svarita:
descending pitch (usually
follows high pitch) Generally, in articulatory...
- (nuqta) क् (virāma) ३ 3 (pluta) ᳵ ẖ (jihvāmūlīya) ᳶ ḫ (upadhmānīya) अ॑ ` (
svarita) अ॒ (anudātta) अ॓ (grave) अ॔ (acute) ॐ aum̐ । (daṇḍa) ॥ (double daṇḍa)...
