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Swara (Sanskrit: स्वर) or
svara is an
Indian classical music term that
connotes simultaneously a breath, a vowel, a note, the
sound of a
musical note...
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Dhaivata (Sanskrit: धैवत, romanized: Dhaivata) is the
sixth svara from the
seven svaras of
Hindustani music and
Carnatic music.
Dhaivata is the long form...
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Rishabha (Sanskrit: ऋषभ, romanized: Ṛṣabha) is the
second svara out of the
seven svaras of
Hindustani music and
Carnatic music.
Rishabha is the long form...
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Gandhara (Sanskrit: गान्धार, romanized: Gāndhāra) is the 3rd
svara from the
seven svaras of
Hindustani music and
Carnatic music.
Gandhara is the long...
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Nishada (Sanskrit: निषाद, romanized: Niṣāda) is the
seventh and last
svara in
Hindustani music and
Carnatic music.
Nishada is the long form of the syllable...
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Pancham or
panchama is the
fifth svara from the
seven svaras of
Hindustani music and
Carnatic music.
Pancham is the long form of the
syllable प. For simplicity...
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Shadaj is the
first svara out of the
seven svaras of
Hindustani music and
Carnatic music.
Shadaj is the long form of the
syllable सा. For
simplicity in...
- octave). The raga also
contains an adhista,
which is
either the
svara Ma or the
svara Pa. The
adhista divides the
octave into two
parts or anga – the...
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Madhyam is the
fourth svara from the
seven svaras of
Hindustani music and
Carnatic music. This
article is
written from the
Hindustani perspective. Madhyam...
- differences, the
basic elements of śruti (the
relative musical pitch),
svara (the
musical sound of a
single note), rāga (the mode or
melodic formulae)...
