-
Konstantin Sergeyevich Stanislavski (Russian: Константин Сергеевич Станиславский, IPA: [kənstɐnʲˈtʲin sʲɪrˈɡʲejɪvʲɪtɕ stənʲɪˈslafskʲɪj]; né Alekseyev;...
- the
American Method acting teacher Uta
Hagen defines her
recommended Stanislavskian approach as 'presentational' acting, as
opposed to 'representational'...
- actor, to
behave in the way the
character does?" The
contrast is the
Stanislavskian question, "Given the
particular cir****stances of the play, how would...
- in 1935 by
Harold Clurman,
proved to be
excellent vehicles for the
Stanislavskian aesthetic. The
following year, the
group produced the Paul Green-Kurt...
- (1999a, 18).
Counsell (1996, 25–26).
Despite this distinction, however,
Stanislavskian theatre, in
which actors "experience"
their roles,
remains "representational"...
- to the wide
variety of
acting techniques rather than to any
specific Stanislavskian,
Strasbergian or
Adlerian discipline and he
placed students with tutors...
-
action -
mental and physical." Jean
Benedetti understands action in a
Stanislavskian context more
simply as "What is done in
order to
fulfill a Task," a...
-
characterize an epic production). One may
create psychological (in a
Stanislavskian approach) or
metaphysical (in an
Artaudian approach)
fabels as well...
- from 1974 to 1992,
where he
developed his
signature approach combining Stanislavskian principles with
rigorous text analysis. He
pioneered the "Syracuse Model...
- of the
author trying to
write it.
Maybe I’ve
bought into a kind of
Stanislavskian theory of
needing the
stakes of my
writing to be as high as
those of...
