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ScumblingScumble Scum"ble, v. t. [imp. & p. p. Scumbled; p. pr. & vb.
n. Scumbling.] [Freq. of scum. [root] 158.] (Fine Arts)
To cover lighty, as a painting, or a drawing, with a thin
wash of opaque color, or with color-crayon dust rubbed on
with the stump, or to make any similar additions to the work,
so as to produce a softened effect. Scumbling
Scumbling Scum"bling, n.
1. (Fine Arts)
(a) A mode of obtaining a softened effect, in painting and
drawing, by the application of a thin layer of opaque
color to the surface of a painting, or part of the
surface, which is too bright in color, or which
requires harmonizing.
(b) In crayon drawing, the use of the stump.
2. The color so laid on. Also used figuratively.
Shining above the brown scumbling of leafless
orchards. --L. Wallace.
Meaning of Scumbling from wikipedia
-
S****bling works by a
principle similar to that used by pointillists,
mixing colors optically.
While most
painters glaze with dark colors,
s****bling is...
- up s****ble in Wiktionary, the free dictionary. S****ble may
refer to:
S****bling, a
glaze painting technique S****ble, a
novel by
Ingrid Law S****ble, an...
- a
number of
different types of
paint applications such as
glazing and
s****bling. Work
developed this way
would not
begin with a drawing, but
rather the...
- can
provide a base for
effects from
simple colour washes or marbling,
s****bling, and glazing, to more
elaborate gilding and vert de mer treatments. Wikimedia...
-
discernible texture or
relief Pouncing Resist techniques S****ing out
S****bling Sfumato Sgraffito Stippling Textured grounds: the use of co**** or smooth...
- colour. His work is
inspired by the Old
Masters and
glazing as well as the
s****bling technique which results in a
wonderful subtlety of surface. "He sees paintings...
-
fluid sea-sky realms, and
surfaces of
abraded brushstrokes, dabs and
s****bling that
evoke rather define form.
James Kalm
describes them as combining...
- (1859-1959):
Snyder liked the
rough texture of many
layers of
paint softened by
s****bling,
using that
technique to
great effect. In 1929 she met
Clayton Sumner...
-
brown forming a
tumultuous and
undefined backdrop. The m****ive
space of
s****bling above the
figure of Bara
contrasts with the
smooth pale skin, lacking...
- Jack
Levine [7] and
Francis Bacon [8]. His
subdued palette, Old
Master s****bling and
complex compositions pay
homage to Titian, Rembrandt,
Frans Hals,...
