-
millennium show the
Shakta mothers with
Ganesha and Shiva.
According to Sara L.
Schastok, the
Skanda in the east
shrine of
Elephanta Cave 1 is significant, just...
-
whose forms were the
Matrikas and
Bhairavas had
Vedic attributes. Sara L.
Schastok suggests that the
Matrikas maybe inspired by the
concept of Yakshas, who...
-
Indian Subcontinent. Yale
University Press. p. 116. ISBN 978-0-300-06217-5.
Schastok, Sara L., [1], The Śāmalājī
Sculptures and 6th
Century Art in
Western India...
-
Artibus Asiae. 28 (2/3): 162–174. doi:10.2307/3249352. JSTOR 3249352.
Schastok, Sara L. (2003). "Shamalaji". 1. doi:10.1093/gao/9781884446054.article...
- Mic****, 355 ASI; Howard, 63 Howard, 63.
Schastok, 52 Harle, 124 Collins, 119–120;
Schastok, 50–52 Collins, 120;
Schastok, 50 Howard, 63 Mic****, 355 Koller...
- art was
influenced by the pre-Gupta era
Western tradition.
According to
Schastok, the
significance of the
finding here is that
there were
multiple centers...
-
Purana Archived 15
November 2017 at the
Wayback Machine Chapter 7 Sara
Schastok (1997), The Śāmalājī
Sculptures and 6th
Century Art in
Western India, BRILL...
-
group of
these divine mothers are so "badly destro****",
states Sara L.
Schastok, that only
limited information can be inferred. The
matrikas are prominent...
-
Michaels 2004, p. 41.
White 2000, pp. 25–28.
Michaels 2004, p. 42. Sara
Schastok (1997), The Śāmalājī
Sculptures and 6th
Century Art in
Western India, BRILL...
- 1981
Number I An
Exceptional Group of
Painted Buddha Figures at Ajanṭā
Schastok, Sara L. (1985). The Śāmalājī
Sculptures and 6th
Century Art in Western...
