-
prominent literary figure in
Kannada literature whose works are
mostly in the
Sangatya (composition
meant to be sung to the
accompaniment of a
musical instrument)...
- exist; the
ragale (lyrical
narrative compositions, in use from 1160); the
sangatya (compositions
meant to be sung with a
musical instrument, in use from 1232)...
- style, but
distinctive Kannada metres became more
widely accepted. The
Sangatya metre used in compositions,
Shatpadi (six line),
tripadi (three line) metres...
-
through songs called Devaranama (lyrical poems) in the
native meters of
Sangatya (quatrain),
Suladi (beat based),
Ugabhoga (melody based) and
Mundige (cryptic)...
-
coming into use,
including Ragale (a form of
blank verse) and
meters like
Sangatya and Shatpadi. The
works of this
period are
based on Jain and
Hindu principles...
-
Narasaraja Vijaya, a
eulogy of his
patron King
Narasaraja I.
Written in
sangatya metre (a
composition meant to be
rendered to the
accompaniment of a musical...
- the
trailblazers in the
native shatpadi (hexa-metre, six line verse) and
sangatya (composition
meant to be sung to the
accompaniment of
musical instrument)...
-
wrote in the
sangatya metre (Padmini Parinaya, 1720), Nuronda, who
eulogised his
patron Krishnaraja II in
Soundarya Kavya (c. 1740) in
sangatya metre, and...
-
Tirumalarya the
elder (1600)
composed the
Karna Vrittanta Kathe in
Kannada in
sangatya metre.
According to tradition,
Tirumalarya was a
descendant of Kirangooru...
-
literature is
available are the champu-kavyas or just champu,
vachana sangatya, shatpadi, ragale, tripadi, and kavya. The Jain
scholars wrote mostly about...