- The
samavadi or
samvadi is the second-most
prominent (though not
necessarily second-most pla****) note of a raga in
Indian classical music. The primary...
- Re Ga Ma Pa Dha Ni Ṡa Avarohana : Ṡa Ni Dha Pa Ma Ga Re Sa Vadi : Ma/Pa
Samavadi : sa The rich
culture of
Bhairavi being the
closing Raga for any formal...
-
shrutis list, with a
factor of 6/5. The vadi
swara is
Madhyam (Ma)
while the
Samavadi swara is
Shadaj (Sa). Pakad : G̱ M Ḏ M G̱ M G̱ S
Malkauns is a serious...
- m P n (d) N S Avaroh: S' n P m R g~ m R S In this raga vadi is Sa and
samavadi is P 'n 'P R g~ m R S
Related ragas:
Ragas of
Malhar family,
namely Megh...
-
svara is
Shuddha in
Arohana and
Komal in Avarohana. Vadi:
Rishabha (re)
Samavadi:
Panchama (pa) Ni Sa Re Ma Re Pa Ma Re Ni Sa R M P n - PMR, M- R N S R-S...
- Ni, Sa' Avrohana/Avarahi: Sa' Ni Dha, Pa, ma Ga, Ma, Re Sa Vadi: Dha
Samavadi: Ga Ga Re, Ga Ma Dha Pa, Ma Ga, Ma Re Sa Ga Pa Ni Dha Ni Sa Ga Re Ga Pa...
- Re Ga Ma Pa Dha Ni Sa' Avarohana : Sa' Ni Dha Pa Ma Ga Re Sa Vadi : Dha
Samavadi : Re Pakad : Ga Ma Dha Dha Pa, Ga Ma Re Re Sa Chalan : Sa Ga Ma Pa Dha...
- are
komal swaras).
Pancham (Pa) is the vadi
swara and
Risabh (Re) is the
samavadi swara. A
typical improvisation of Kafi
starts as M P D P M g R, g R S,...
-
slight oscillation on
komal re to
express the
character of Bhairav. Vadi: M
Samavadi: S S, r G M, G M r, ṇ Ḍ, ṇ r S |
komal Ni,
shuddha Dha,
komal Ni, komal...
- Ga Pa Dha Sa'
Avaroha (descent): Sa'! Dha Pa Ga Re Sa Vadi
Gandhar – ga
Samavadi Dhaivat – Dha S, D1 D1...S, R - - S...D1 S..., D1 - - - P1, S - - - D1...
