- The
samavadi or
samvadi is the second-most
prominent (though not
necessarily second-most pla****) note of a raga in
Indian classical music. The primary...
- Re Ga Ma Pa Dha Ni Ṡa Avarohana : Ṡa Ni Dha Pa Ma Ga Re Sa Vadi : Ma/Pa
Samavadi : sa The rich
culture of
Bhairavi being the
closing Raga for any formal...
-
shrutis list, with a
factor of 6/5. The vadi
swara is
Madhyam (Ma)
while the
Samavadi swara is
Shadaj (Sa). Pakad : G̱ M Ḏ M G̱ M G̱ S
Malkauns is a serious...
- m P n (d) N S Avaroh: S' n P m R g~ m R S In this raga vadi is Sa and
samavadi is P 'n 'P R g~ m R S
Related ragas:
Ragas of
Malhar family,
namely Megh...
- Ma Pa Ni Sa Avarohana: Sa Re Ni Dha, Ma Pa Dha Ma Ga Re Ni Sa Vadi: Re
Samavadi: Dha The
melodies are
characterized by
sweeping phrases with
glides connecting...
-
svara is
Shuddha in
Arohana and
Komal in Avarohana. Vadi:
Rishabha (re)
Samavadi:
Panchama (pa) Ni Sa Re Ma Re Pa Ma Re Ni Sa R M P n - PMR, M- R N S R-S...
-
slight oscillation on
komal re to
express the
character of Bhairav. Vadi: M
Samavadi: S S, r G M, G M r, ṇ Ḍ, ṇ r S |
komal Ni,
shuddha Dha,
komal Ni, komal...
- S'N D Ṉ D P M G R S Pakad: G R G P M G M R G P M G M R S Vadi:
Dhaivat Samavadi:
Gandhar Komal Swar: N (Vakra) in
Avarohana Varjit Swar: M in
Arohana Alhaiya...
- Ni, Sa' Avrohana/Avarahi: Sa' Ni Dha, Pa, ma Ga, Ma, Re Sa Vadi: Dha
Samavadi: Ga Ga Re, Ga Ma Dha Pa, Ma Ga, Ma Re Sa Ga Pa Ni Dha Ni Sa Ga Re Ga Pa...
- are
komal swaras).
Pancham (Pa) is the vadi
swara and
Risabh (Re) is the
samavadi swara. A
typical improvisation of Kafi
starts as M P D P M g R, g R S,...
