-
SSATB, with
divided sopranos, is a
typical scoring in
English church music.: 322 A
listing for Bach's M**** in B
minor includes the
maximum of
SSATB soloists...
-
dozen Magnificats for
SSATB choir, and one for soli,
SSATB double choir and orchestra. Kuhnau's
Magnificat setting also used a
SSATB choir. Bach had already...
- the
Baroque style of the
period and is
scored for five
vocal soloists (
SSATB), five-part chorus,
strings and continuo. It is
thought that the work was...
- p****age from the Epistle. Bach
scored it for a
choir of up to five
voices (
SSATB: one or two
soprano parts (S or SS), alto (A),
tenor (T) and B for b****)...
-
scored the work for five
vocal parts (two sopranos, alto,
tenor and b****,
SSATB).
While some
choral movements are for only four parts, the
Sanctus is scored...
-
instrumental introduction; a
concerto for
instruments and five
voices (
SSATB), with the
exception of the
fifth and
sixth cantatas where only
three voices...
-
Dresden court (M**** in B Minor, Part I: Missa;
early version) B min.
ssatbSSATB 3Tr Tmp Hn 2Fl 2Oba 2Bas Vl Str Bc II/1a
after BWV 29/1, 46/1; text from...
-
jubilieret /
Gloria in
excelsis /
Virga Jesse floruit). Für Soli (
SSATB), Chor (
SSATB),
Orchester und
Orgel (lat). Nach dem
Urtext der
Neuen Bach-Ausgabe...
- the
Magnificat canticle in 1989. It is a
composition for five-part
choir (
SSATB) a cappella, with
several divided parts. Its
performance time is approximately...
- 18th-century one of the two
tenors was
transposed up an octave,
giving the
SSATB setting which is most
frequently performed today.
Miserere mei, Deus Performed...
