- the
ritornello.
Later statements of the
ritornello are
usually partial,
comprising only one or some of the units,
sometimes varied. The
ritornellos are...
- 17th and
early 18th century, the da capo aria came to be
include the
ritornello (literally, 'little return'), a
recurring instrumental episode which featured...
-
tutti p****ages, the
movement being concluded by the
ritornello. The
characteristics of the
ritornellos used by Bach in his
concertos play an
important role...
-
which began with an
opening ritornello,
which was then
omitted in the
repeat (the sign
being placed after the
ritornello). The
segno sign is
encoded in...
- line of the
opening two bar
ritornello,
which frames the work. The
material between the
opening and
closing the
ritornellos is
freely developed, but nevertheless...
- for
soprano accompanied by
continuo for the stanzas,
alternated with a
ritornello for
strings and continuo. When all
stanzas are sung, a
performance of...
-
subsection of a piece. A
cadenza can also be
found before a
final coda or
ritornello. Initially,
cadenzas were more
simple and
structured - a
performer would...
-
development of
ritornello in
early Italian opera at the very end of the 16th
century and
early 17th century.
While rondo form is
similar to
ritornello form, it...
-
during the 17th century. Peri's
Euridice opens with a
brief instrumental ritornello, and Monteverdi's L'Orfeo (1607)
opens with a toccata, in this case a...
- verification] 'Ritournelle' is the
French equivalent of the
Italian musical term '
ritornello'
IMSLP Grove,
George and Fuller-Maitland, John
Alexander (1908), Grove's...
