-
longe shows that multi-voice
settings of
responsories have
continued to be made in
modern times also.
Responsories for Holy W**** set to music, for instance...
-
Tenebrae responsories are the
responsories sung
following the
lessons of Tenebrae, the
Matins services of the last
three days of Holy W****:
Maundy Thursday...
-
Tenebrae Responsories for
Maundy Thursday In
monte Oliveti Tristis est
anima mea Alex Ross
writes about Gesualdo's
setting of this
responsory: "... begins...
- The late
Renaissance Spanish composer set the
Responsories for Holy W****
known as
Tenebrae responsories. They are
liturgical texts prescribed for use...
-
gradually swept out of
Europe all the
earlier partial books (Legendaries,
Responsories), etc., and to some
extent the
local Breviaries, like that of Sarum....
- the
Catholic liturgy,
including the
eighteen motets of the
Tenebrae Responsories. Two
influences in Victoria's life were
Giovanni Maria Nanino and Luca...
-
including a
great deal of
repetition of
musical subphrases, such as
Great Responsories and
Offertories of
Gregorian chant.
Chant may be
considered speech, music...
- The
Responsories by the
German composer Max
Reger are 20
short settings of
mostly biblical texts in English, to be used as
responsories in
Lutheran church...
-
often set,
especially in the
sixteenth century, as part of the
Tenebrae Responsories for Holy Sa****ay. Some of the most
famous settings of the text are by:...
- Sept Répons des ténèbres (Seven
Responsories for Tenebrae), FP 181, is a
piece of
sacred music composed by
Francis Poulenc in 1961. He
wrote the work in...
