-
Alain Resnais: the Rôle of Imagination. (London:
Secker & Warburg, 1978.) p.11.
Resnais quoted in, and
translated by, Emma Wilson,
Alain Resnais. (Manchester:...
-
Alain Resnais who
first put
giant rodent heads on his
actors in his 1980 film Mon
oncle d'Amérique, and the rabbits'
dialogue is
reminiscent of
Resnais' Last...
-
Dauman approached filmmaker Alain Resnais, who had
experience with do****entary
films since 1948. For more than a w****,
Resnais resisted the offer, believing...
-
drama film
directed by
French director Alain Resnais and
written by
French author Marguerite Duras.
Resnais'
first feature-length work, it was a co-production...
-
writer Alain Robbe-Grillet and
director Alain Resnais. Robbe-Grillet
described its basis:
Alain Resnais and I were able to
collaborate only
because we...
- such
other filmmakers as
Alain Resnais, Agnès
Varda and
Jacques Demy. His
friend and
sometime collaborator Alain Resnais called him "the
prototype of the...
- Benayoun,
Interview with
Resnais in
Alain Resnais,
arpenteur de l'imaginaire. Paris: Éditions Ramsay, 2008. pp. 242-243. "How
Resnais made a
success with science"...
- as
Resnais. She
achieved recognition for both her
stage and film work, and was
named best
actress at the
Venice Film
Festival for her role in
Resnais' Muriel...
- The ****ociated Left Bank film
community included directors such as
Alain Resnais, Agnès Varda,
Jacques Demy and
Chris Marker.
Using portable equipment and...
-
which she won a César
Award for Best Actress, and
numerous films of
Alain Resnais,
including Life Is a Bed of
Roses (1983), L'Amour à mort (1984), Mélo (which...
