- The
angle of the side of the
punch was
particularly significant. The
punchcutter begins by
transferring the
outline of a
letter design to one end of a...
- – 20
December 1658) was a
French Protestant printer, type designer,
punchcutter and
typefounder active in
Sedan in the
seventeenth century. He was a...
-
Richard Austin (1756–1832) was an
English punchcutter. He was the
original cutter of the
typefaces now
known as Bell,
Scotch Roman, and Porson. Born in...
-
similar to
William Morris's
earlier Golden Type and, like it, was cut by
punchcutter Edward Prince. The
press was
located at No. 1
Hammersmith Terrace. It...
-
influential typeface cut for
Venetian printer Aldus Manutius by his
punchcutter Francesco Griffo in 1495, and are in what is now
called the old-style...
-
extremely precise French punchcutter particularly renowned for his
skill in
cutting italics.
Vervliet comments that
among punchcutters in
France "the main...
- of the
French name Guillaume,
apparently after the
French printer and
punchcutter Guillaume Le Bé (1525–1598),
though he did not
invent the symbols: they...
- (1450–1518), also
called Francesco da Bologna, was a fifteenth-century
Italian punchcutter. He
worked for
Aldus Manutius,
designing the printer's more important...
-
Hendrik van den
Keere (c. 1540/2 – 1580) was a
punchcutter, or
cutter of
punches to make
metal type, who
lived in
Ghent in
modern Belgium. Van den Keere...
-
Edward Philip Prince (1846–1923) was a
British engraver and
punchcutter, a
cutter of the
punches used to
stamp the
matrices used to cast
metal type. Working...
