-
Knoll asked artist David Dozoretz to
create one of the first-ever
previsualizations for an
entire sequence of
shots rather than just one scene. Producer...
- York City. He
later moved on to
computer graphics and
created 3-D
previsualizations for big
budget Hollywood feature films such as the
first three Pirates...
- underp****
being flooded with water, was
created with the help of
previsualizations,
allowing the crew to "experiment with
different elements before the...
- Studio,
while the
Third Floor, Inc., Torchlight, and Host
provided the
previsualization and
postvisualization work. Mark
Sanger edited the film,
which was...
- Pictures, and Wētā FX.
Framestore joined during pre-production to work on
previsualization, and went on to
deliver 420
final shots. The
company worked on: the...
-
credit with
James Ashcroft, Eli Kent, and
Nicole Perlman.
Extensive previsualization was done by The
Third Floor, that
included checking on
Google Earth...
- slow and
variable motion. The cameras'
positions and
exposures were
previsualized using a 3D simulation.
Instead of
firing the
cameras simultaneously...
- the
source material has
found this thing. That, for me,
after the
previsualization, is the most
exciting part of the whole. —Fincher on
serendipity during...
-
revealed that he had,
after discussions with Diesel, storyboarded,
previsualized and
began editing a twelve-minute
finale for Fast &
Furious 6, before...
- Lola
Visual Effects, Luma Pictures,
Whiskytree and The Emb****y, with
previsualization completed by Proof. The film
contained 2,500
visual effects shots,...