- in
translations into
Church Slavonic. The
Slavonic system counted the
plagioi echoi as
glasa 5, 6, 7, and 8. For reference,
these differences are shown...
- signatures, the
authentic or
kyrioi in
ascending direction, and the
plagal or
plagioi in
descending direction (Papadic Octoechos). With
exception of vú and zō...
- in two
parts called "pettoglasnik", one for the kyrioi,
another for the
plagioi echoi). The old
custom can be
studied on the
basis of the 9th-century tropologion...
- the mele of
kyrioi echoi,
while it is on the
bottom within the mele of
plagioi echoi; the
octave species (D—a—d, E—b—e, B flat—F—b flat, and C—G—c) are...
- modes) are
composed to
parallel verses of the
Gradual Psalms,
while the
plagioi echoi (plagal modes)
usually begin by
imitating Psalm 119. The last sticheron...
- were
divided in four
kyrioi (authentic)
echoi and
their four
respective plagioi (enriched, developed) echoi,
which were all in the
diatonic genus. Despite...
- the
plagal echoi,
called "
plagioi", was
simply defined as a direction. The
intonation formulas (enechemata) of the
plagioi were
always used to move down...
- with the four
kyrioi echoi (each
echos per w****) and
continued with the
plagioi echoi.
Sometimes the
sticherarion also had a
separated collection of notated...
-
medieval theory, the
plagioi (oblique)
echoi mentioned above (Hagiopolitan Octoechos)
employ the same scales, the
final degrees of the
plagioi echoi are a fifth...
- (metavoli kata tonon). The
former system of
sixteen echoi (4 kyrioi, 4
plagioi, 4 mesoi, and 4 phthorai)
which was
still used in the old
books of the...
