Definition of Plagal cadence. Meaning of Plagal cadence. Synonyms of Plagal cadence

Here you will find one or more explanations in English for the word Plagal cadence. Also in the bottom left of the page several parts of wikipedia pages related to the word Plagal cadence and, of course, Plagal cadence synonyms and on the right images related to the word Plagal cadence.

Definition of Plagal cadence

Plagal cadence
Plagal Pla"gal, a. [F., from Gr. ? sidewise, slanting.] (Mus.) Having a scale running from the dominant to its octave; -- said of certain old church modes or tunes, as opposed to those called authentic, which ran from the tonic to its octave. Plagal cadence, a cadence in which the final chord on the tonic is preceded by the chord on the subdominant.

Meaning of Plagal cadence from wikipedia

- upper voices. The rare plagal half cadence involves a I–IV progression. Like an authentic cadence (V–I), the plagal half cadence involves an ascending...
- Look up plagal in Wiktionary, the free dictionary. Plagal may refer to: Plagal cadence (in music) Plagal mode (in music) Pro-Life Alliance of ****s and...
- church, and traditional gospel music elements such as "amen chords" (the plagal cadence) and triadic harmonies that seemed to suddenly appear in jazz during...
- beautiful suggestion suddenly interrupted in an alarming way by a pompous, plagal cadence which, as I was told, was supposed to represent St Dominic. "No!" I...
- but the obtained cadence is suitable for tonality (called plagal or backdoor). The integration of the traditional Andalusian cadence and Renaissance-style...
- triumphant coda (based on both the first and second subjects), ending with a plagal cadence. The introduction's theme is notable for its apparent formal independence...
- subdominant chord followed by a tonic chord produces the so-called plagal cadence. As with other chords which often precede the dominant, subdominant...
- the progression I–ii–V–I (an authentic cadence) would feel more final or resolved than I–IV–I (a plagal cadence). Goldman concurs with Nattiez, who argues...
- expanded after the orchestra triumphantly plays a "modally altered" plagal cadence. The main theme, especially its occurrence in bar 321, bears a close...
- background harmony. The final "Ah" is in C with a spiritually evocative Plagal cadence IV–I (F–C chord) on piano while the voices do an F to E shift. "And...