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Robert Orledge (born 5
January 1948) is a
British musicologist who
specialises in
French music from the late 19th to
early 20th centuries. A Professor...
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Machine Quoted in
Orledge, p. 68
Orledge, p. 95; and Gillmor, p. 137
Orledge, pp. 116 and 174 Gillmor, p. 37 Gillmor, p. 208
Orledge, p. 39 Shattuck, Roger...
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Music Orledge (1979), pp. 296–297 LA Phil
webpage Orledge (1979), pp. 78–81
Orledge (1979), p. 295
Orledge (1979), p. 15
Nectoux (2004), p. 180
Orledge (1979)...
- McAuliffe, pp. 57–58 Nectoux, pp. 180–181
Orledge, p. 21
Dietschy (1990), p. 125;
Nichols (1998), p. 94;
Orledge (2003), p. 21; and
Simeone (2000), p. 54...
- 95–97
Orledge, p. 14
Orledge, p. 15; and Duchen, pp. 98–99 Duchen, p. 105 Duchen, p. 105; Johnson, p. 253; Jones, p. 68; Nectoux, p. 185; and
Orledge, p...
-
flute theme, once heard, is not
easily forgotten". In a 1979 study,
Robert Orledge describes the
scoring of the
Pavane as "delicate and airy, with some practical...
- Fauré, but the plan came to nothing.
According to the
biographer Robert Orledge, the
death of d'Indy's
first wife in 1905
removed the
stabilising influence...
- froides. See
Orledge, "Satie the Composer", pp. 190–192.
Robert Orledge, "Satie the Composer",
Cambridge University Press, 1990, pp. 109.
Orledge, "Satie the...
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wrote the
score quickly, from mid-August to mid-September 1912.
Robert Orledge has
analysed the
chronology of Debussy's
composition and
preserved m****cripts...
- 2 April 1892, sung by
Maurice Bagès.
Orledge (1979), p. 295
Nectoux (2004), p. 179
Orledge (1979), pp. 78–81
Orledge (1979), pp. 296–297
Nectoux (2004)...