-
Howarth and
Omasta, 2007. p. 282, 284 Bergstrom, 2007. p. 47-48 Bergstrom, 2007. p. 48
Howarth and
Omasta, 2007. p. 28, 282
Howarth and
Omasta, 2007. p....
- 1075/slcs.54.09laa, ISBN 978-90-272-3057-7 Laakso,
Johanna (November 2000). "
Omasta ja
vieraasta rakentuminen".
Archived from the
original on 26
August 2007...
-
Anthony Mann, Kamera: John
Alton (1949). In:
Christian Cargnelli,
Michael Omasta .(eds.): Schatten. Exil. Europäische
Emigranten im Film noir. PVS, Vienna...
- unusual" that his
recent films.
Howarth and
Omasta, 2007. p. 287
Howarth and
Omasta, 2007. p. 33
Howarth and
Omasta, 2007. Sarris, 1966. P. 23: "Overlooked"...
-
Archived from the
original on June 5, 2016.
Retrieved May 11, 2016.
Haley Omasta;
Stacey Hills (2015). "Official
College and
University Colors:
Student Perception...
- Das (in German).
Austrian Film Institute.
Retrieved 11
December 2009.
Omasta, Michael; Pekler, Michael. "In
jedem meiner Filme muss ich laut
lachen Archived...
- 19, 2016.
Internet Movie Database,
Filming locations, ibid.
Hogart and
Omasta, 2007 p. 33 Baxter, 1971 p. 58 Eyman,
Scott (2005). Lion of Hollywood: The...
-
raffinierte Taeuschung. "Die
Frauen in den
Filmen Elisabeth Bergners" in
Michael Omasta,
Brigitte Mayr,
Christian Cargnelli (eds.): Carl Mayer, Scenarist: Ein Script...
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Jules D****in, Kamera: Max
Greene (1950). In:
Christian Cargnelli,
Michael Omasta (eds.): Schatten. Exil. Europäische
Emigranten im Film Noir. PVS, Vienna...
- suksessio.
Kuten Vanhurskauttaminen kirkon elämässä -asiakirjasta kävi ilmi,
omasta mielestään
Suomen ev.-lut.
kirkolla on
apostolinen suksessio. Katolinen...
