- ictus/
nonictus on a
separate line. Tarlinskaja, Attridge, and
Groves each
exhibit distinct conceptions regarding the
dispositions of
ictus and
nonictus. Tarlinskaja...
- can see, (18.13) / = ictus, a
metrically strong syllabic position. × =
nonictus. The poem is part of the Fair
Youth sequence (which
comprises sonnets 1–126...
- lips' red: (130.1-2) / = ictus, a
metrically strong syllabic position. × =
nonictus. This is
followed (in line 2,
scanned above) with a
common metrical variation...
- shaken; (116.6) / = ictus, a
metrically strong syllabic position. × =
nonictus. (×) =
extrametrical syllable. Line 2
exhibits a mid-line reversal: × /...
- hexameter": × / × / × / ¦ × / × / × / (×) /=ictus, a
strong syllabic position; ×=
nonictus ¦=often a
mandatory or
predominant caesura, but
depends upon the author...
- directed. (43.4) / = ictus, a
metrically strong syllabic position. × =
nonictus. (×) =
extrametrical syllable. This is one of the
poems omitted from the...
- are green. (104.8) / = ictus, a
metrically strong syllabic position. × =
nonictus. The 13th line has a mid-line
reversal ("hear this"): × / × / / × × / ×...
- with him. (98.4) / = ictus, a
metrically strong syllabic position. × =
nonictus. The 12th line
potentially exhibits two
metrical variations: first, an...
- my fate, (29.1-4) / = ictus, a
metrically strong syllabic position. × =
nonictus.
Lines two and four are
metrically regular, but
alternate with
lines (one...
-
taker mad: (129.8) / = ictus, a
metrically strong syllabic position. × =
nonictus. Line 4
begins with a
common metrical variant, the
initial reversal: /...
