-
quoted in
Nectoux (1984), pp. 1–2
Nectoux (1984), p. 2
Nectoux (1991), p. 502; and Jones, p. 20
Nectoux (1991), p. 12
Nectoux (1991), p. 508
Nectoux (1991)...
- p. 81 Rutter, p. 3
Nectoux (1991), p. 116
Nectoux (1991), p. 122
Nectoux (1991), p. 514 Orledge, p. 115 Steinberg, p. 135
Nectoux, pp. 117–120 Park and...
- Avis, p. 6 Debussy, p. 10. Campbell, p. 164 Jones, p. 90
Nectoux, p. 149
Nectoux, pp. 48–49
Nectoux, p. 147 Orledge, Robert. "Fauré's 'Pelléas et Mélisande'"...
- Jean-Michel
Nectoux writes that the Élégie was one of the last
works in
which the
composer allowed himself "such a
direct expression of pathos."
Nectoux regards...
- 27
Nectoux, p. 269
Simeone (2000), p. 212 Thompson, p. 70 Thompson, p. 77 Fulcher, p. 71 Thompson, p. 82 Wenk, p. 205 Holloway, pp. 21 and 42
Nectoux, p...
-
under their whimsical disguises".
Nectoux, pp. 335–336
Nectoux, p. 326 Jones, p. 110
Nectoux, pp. 337–338
Nectoux, p. 172 Schiavo, Paul.
Notes to Seattle...
- Jean-Michel
Nectoux (born 20
November 1946) is a
French musicologist,
particularly noted as an
expert on the life and
music of
Gabriel Fauré. He has published...
- by Fauré
Nectoux, p. 147
Nectoux, p. 276
Nectoux, p. 548 Duchen, p. 217
Nectoux, pp. 155–156 Duchen, pp. 132 and 217; and Jones, p. 90
Nectoux, Jean-Michel...
- of
white stone The
fountains tall to sob with
ecstasy Nectoux, p. 338
Nectoux, p. 540
Nectoux, pp. 67 and 540 Johnson,
Graham (2005).
Liner notes to...
-
Orenstein (1991), pp. 11–12; and
Nichols (2011), pp. 10–11
Lesure and
Nectoux, p. 9
Orenstein (1991), p. 11
Nichols (2011), pp. 11 and 390 Orenstein...
