- 131
Nattiez 1990.
Lerdahl 1992, 112–113.
Lerdahl 1988, 235.
Wehinger 1970.
BaileyShea 2007, [8].
BaileyShea 2007, [7].
Nattiez 1990, 135–136.
Nattiez 1990...
- Jean-Jacques
Nattiez OC CQ FRSC (French: [natje]; born
December 30, 1945, in Amiens, France) is a
musical semiologist or
semiotician and
professor of...
-
citation needed] Larousse;
cited in
Nattiez 1990, p. [page needed]. 1980 New Grove;[full
citation needed]
cited in
Nattiez 1990, p. [page needed]
Benward &...
-
reception (the
esthesic process) that
reconstructs a 'message.'" (
Nattiez 1990, p. 17)
Nattiez's diagram,
following Jean Molino: (ibid.) "Esthesic" also refers...
- 8–9.
Clifton 1983, 5–6.
Molino 1975, 37.
Nattiez 1990, 47–48, 55.
Molino 1975, 42.
Nattiez 1990, 90.
Nattiez 1990, 46.
Xenakis 1971, 181.
Sources Ashby...
- of
Lausanne and a semiologist. His
former students include Jean-Jacques
Nattiez.
Musical Fact and the
Semiology of Music, trans. J. A. Underwood, Music...
- (F–A♭–C♭–E♭), the
Tristan chord can also be
interpreted in many ways.
Nattiez distinguishes between functional and
nonfunctional analyses of the chord...
-
reconstructs a 'message.')"
Molino and
Nattiez's diagram: An
immanent description is an
analysis of the
neutral level.(
Nattiez 1990, p. 75). In an
applied semiology...
- be isolated, or
taken as a
strategic variable of
musical production."
Nattiez gives as
examples Mauricio Kagel's Con Voce [with voice],
where a masked...
- (2nd ed.). New York: Grove. pp. 227–228. ISBN 1-56159-239-0. OCLC 44391762.
Nattiez, Jean-Jacques (1990).
Music and discourse :
toward a
semiology of music...
