- Jean-Jacques
Nattiez OC CQ FRSC (French: [natje]; born
December 30, 1945) is a
French musicologist and
ethnomusicologist active in Canada, who is seminal...
-
reception (the
esthesic process) that
reconstructs a 'message.' (
Nattiez 1990, p. 17)
Nattiez's diagram,
following Jean Molino: (ibid.) "Esthesic" also refers...
-
citation needed] Larousse;
cited in
Nattiez 1990, p. [page needed]. 1980 New Grove;[full
citation needed]
cited in
Nattiez 1990, p. [page needed]
Benward &...
- 131
Nattiez 1990.
Lerdahl 1992, 112–113.
Lerdahl 1988, 235.
Wehinger 1970.
BaileyShea 2007, [8].
BaileyShea 2007, [7].
Nattiez 1990, 135–136.
Nattiez 1990...
- of
Lausanne and a semiologist. His
former students include Jean-Jacques
Nattiez.
Musical Fact and the
Semiology of Music, trans. J. A. Underwood, Music...
-
organised according to a repetition-transformation principle. Jean-Jacques
Nattiez (1990),
argues that "in the last analysis, it is a
human being who decides...
- (F–A♭–C♭–E♭), the
Tristan chord can also be
interpreted in many ways.
Nattiez distinguishes between functional and
nonfunctional analyses of the chord...
-
reconstructs a 'message.')"
Molino and
Nattiez's diagram: An
immanent description is an
analysis of the
neutral level.(
Nattiez 1990, p. 75). In an
applied semiology...
- be isolated, or
taken as a
strategic variable of
musical production."
Nattiez gives as
examples Mauricio Kagel's Con Voce [with voice],
where a masked...
-
final or
resolved than I–IV–I (a
plagal cadence).
Goldman concurs with
Nattiez, who
argues that "the
chord on the
fourth degree appears long
before the...
