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Mikrophonie is the
title given by
Karlheinz Stockhausen to two of his compositions,
written in 1964 and 1965, in
which "normally
inaudible vibrations...
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percussion solo Zyklus, Kontakte, the
cantata Momente, the live-electronic
Mikrophonie I, Hymnen,
Stimmung for six vocalists, Aus den
sieben Tagen,
Mantra for...
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Gesang der Jünglinge (1955–56),
Kontakte (1958–60),
Mixtur (1964),
Mikrophonie I & II (1964 and 1965),
Telemusik (1966),
Hymnen (1966–67), Oktophonie...
- (1964), one of the
first compositions for
orchestra and live electronics;
Mikrophonie II (1965),
where the
sounds of
choral voices are
modulated with a Hammond...
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Alpha (1978) with it. In
Europe in 1964,
Karlheinz Stockhausen composed Mikrophonie I for tam-tam, hand-held microphones, filters, and potentiometers, and...
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white noise to
filters and uses the
resulting sounds to
create montages.
Mikrophonie I (1964) by
Karlheinz Stockhausen uses a tam-tam and a
microphone as...
- tam-tam has been used by
composers such as
Karlheinz Stockhausen in
Mikrophonie I (1964–65) and by
George Crumb. In
Makrokosmos III:
Music For A Summer...
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subsequent Carré (1960),
Momente (1962–64/69),
Mixtur (1964),
Mikrophonie I (1964),
Mikrophonie II (1965),
Telemusik (1966),
Hymnen (1966–67/69), Stimmung...
- piano,
soprano ad libitum, and two-channel tape
Karlheinz Stockhausen –
Mikrophonie II
Eduard Tubin –
Sonata for
viola and
piano Jack
Beeson –
Lizzie Borden...
- Stockhausen,
Karlheinz Mikrophonie I (1964) for two tam-tams &
microphones with band-p****
filters Stockhausen,
Karlheinz Mikrophonie II (1965) for twelve...
