-
distinction of
different Lissitzkys misleading.
Lissitzky's works inspired many artists. In 1920s,
Polina Khentova,
Lissitzky's good
friend from his early...
- bey belykh!) is a 1919
lithographic Bolshevik propaganda poster by El
Lissitzky. In the poster, the
intrusive red
wedge symbolizes the Bolsheviks, who...
-
Sophie Lissitzky-Küppers (1891–1978), born
Sophie Schneider, was a
German art historian,
patron of the avant-garde, author, and art collector. Küppers...
- 1917 and 1919
Russian avant-garde
artist El
Lissitzky created two
variants of the book Had Gadya.
Lissitzky's used
Yiddish for the book verses, but introduced...
- Yudovin, and by El
Lissitzky and
Issachar Ber
Ryback do****ented and
photographed interiors of the synagogue.
After the
article by
Lissitzky,
interior murals...
-
several artists—either
directly ****ociated with
Suprematism such as El
Lissitzky or
working under the
suprematist influence as did
Rodchenko and Lyubov...
-
exchange of
ideas between Moscow and Berlin,
something reinforced by El
Lissitzky and Ilya Ehrenburg's Soviet-German
magazine Veshch-Gegenstand-Objet which...
-
October 2004,
titled "This Fffire". The
single artwork is
based on El
Lissitzky's art work Beat the
Whites with the Red Wedge.[citation needed] "This Fire"...
- 1890 to 1930; and
globally influential artists from this era were El
Lissitzky,
Kazimir Malevich,
Natalia Goncharova, W****ily Kandinsky, and Marc Chagall...
- is
almost exclusively ****ociated with
Malevich and his
apprentice El
Lissitzky. Red Square, 1915.
Russian Museum,
Saint Petersburg White Square (also...
