- El
Lissitzky (Russian: Эль Лиси́цкий, born
Lazar Markovich Lissitzky Russian: Ла́зарь Ма́ркович Лиси́цкий, listen; 23 November [O.S. 11 November] 1890...
- bey belykh!) is a 1919
lithographic Bolshevik propaganda poster by El
Lissitzky. In the poster, the
intrusive red
wedge symbolizes the Bolsheviks, who...
-
Sophie Lissitzky-Küppers (1891–1978), born
Sophie Schneider, was a
German art historian,
patron of the avant-garde, author, and art collector. Küppers...
-
several artists—either
directly ****ociated with
Suprematism such as El
Lissitzky or
working under the
suprematist influence as did
Rodchenko and Lyubov...
-
designed by El
Lissitzky, is
likely the only
extant building based on
Lissitzky's blueprints.
Located at 17, 1st
Samotechny Lane, it is
Lissitzky's sole tangible...
-
Group painted propaganda plaques and
buildings (the best
known being El
Lissitzky's poster Beat the
Whites with the Red
Wedge (1919)).
Inspired by Vladimir...
- by the museum, but was
there on a loan from the art
historian Sophie Lissitzky-Küppers. In July 2017 it
became known that her
heirs had
reached an agreement...
- his star
students and colleagues,
including notable Russian artists El
Lissitzky,
Lazar Khidekel,
Nikolai Suetin, Ilia Chashnik, Vera Ermolaeva, Anna Kagan...
- 1890 to 1930; and
globally influential artists from this era were El
Lissitzky,
Kazimir Malevich,
Natalia Goncharova, W****ily Kandinsky, and Marc Chagall...
-
Tribune by El
Lissitzky (1920), a
moving speaker's podium.
During the
Russian Civil War the
UNOVIS group centered on
Kasimir Malevich and
Lissitzky designed...
