-
singers of this
gharana are also
great masters over
layakari or the
rhythmic component. In fact,
layakari is the
foundation on
which the
singers build the...
- accompaniment, but he
almost never used the sarangi.
While he
could do
traditional layakari (rhythmic play),
including bol-baant,
which he has
demonstrated in a few...
- Krishnappa,
court musician of
Mysore state. He
introduced rhythmic play (
layakari) and
style of
solfa singing (sargam) to the
Bhendibazaar gharana. Aman...
-
Krishnarao Shankar Pandit practiced Khayal,
Tappa and
Tarana singing as well as
layakari. In 1914,
Krishnarao Shankar Pandit opened a
school in Gwalior, the Shankar...
-
Suraj Khan Late 16th
century Salamat Ali and
Nazakat Ali Khan
Emphasis on
layakari using bol-taan and tihai, fast
sargam and taan
patterns Kunwar Shyam gharana...
-
portion started, the
brothers gave a
blazing display of taans,
sargams and
layakari,
which left the
audience stunned".:
After the 1947
partition of India,...
-
macho nature of the Agra
gharana style of music, with her own
sense of
layakari (rhythmic play) and
strong tone, she
became proficient by
creating her...
-
style of
rendition has
influences from laya, chhanda, bolbaat, boltan,
layakari of Gwalior, and
Binkari alap. Ali F. M.
Razwan was born as the
sixth child...
- po****r
audience for
classical music.
Historians note how Vaze
excelled at
layakari,
clear and
forceful taans, and
powerful gamaks. His
style became so iconic...
-
devoid of ornamentation. It is free from
intricate play with the rhythm.
Layakari is
however allowed in Dhamar,
another form of vocalisation. The
khyal of...
