- p. 161.
Muther 1895, p. 164-165.
Lajer-Burcharth 1999, p. 141.
Gueniffey 2015, p. 197. de
Villars 1850, p. 161;
Lajer-Burcharth 1999, p. 141.
Daudet 1903...
- (1998) Robespierre,
edited by
Colin Haydon &
William Doyle,
Cambridge (1999)
Lajer-Burcharth, E., Necklines. The art of Jacques-Louis
David after the Terror...
- Ewa
Lajer-Burcharth (born in Warsaw) is a
Polish art
historian and
William Dorr
Boardman Professor of Fine Arts in the
History of Art and Architecture...
-
brothers Trudaine made the commission, Charles-Louis or Charles-Michel.
Lajer-Burcharth, Ewa (1999). Necklines: The Art of Jacques-Louis
David after the...
- p. 30.
Boime 1987, p. 442. Carlyle, p. 384.
Roberts 1992, pp. 90–112.
Lajer-Burcharth, Ewa (1991). "David's
Sabine Women: Body,
Gender and Republican...
-
indication of
sensuality except for her
missing clothing. The art
historian Ewa
Lajer-Burcharth has
suggested that Psyche's ****ual
indeterminacy relates to David’s...
- Herriot,
Madame Récamier, pp. 1–2
Edouard Herriot,
Madame Récamier, p. 12
Lajer-Burcharth, Ewa. Necklines: The Art of Jacques-Louis
David After the Terror...
-
sister Aurore were
known as Les
Dames de Bellegarde. The art
historian Ewa
Lajer-Burcharth has
written that the
sisters were "known to
epitomise the whole...
-
presidential hand, was
asked to
stand for
corporate business,"
writes Ewa
Lajer-Burcharth, "Wodiczko
offered a
suggestion about the
class identity of those...
-
painted pink. Cambridge, M****:
Harvard Art Museums. ISBN 978-0-300-26381-7.
Lajer-Burcharth, Ewa (2001). "Pompadour's Touch:
Difference in Representation"...
