- music, with a
different scale. Aroh: Sa,
komal Ga, Ma, Dha,
komal Ni, Sa; Avroh: Sa,
komal Ni, Dha, Ma,
komal Ga, Ré, Sa.
Shree ranjani is a
symmetric scale...
-
change for all
svaras i.e. Sa 240 Hz, Re 270 Hz,
Komal Ga 288 Hz, Ma 320 Hz, Pa 360 Hz, Dha 405 Hz, and
Komal Ni 432 Hz. Consequently, the Sa
after the Ni...
-
Malkauns belongs to the
Bhairavi thaat. Its
notes are Sa,
komal Ga,
shuddh Ma,
komal Dha, and
komal Ni. In
Western classical notation, its
notes can be denoted...
- thaat. The
Arohana is: Sa Ga Ma Pa ni(
komal) Sa' The
Avarohana is: Sa' ni(
komal) Pa Ma
Ga(shuddha) Ma
ga(
komal) Sa In the
notes of the
Western scale in...
- to the
Komal Ga and
Komal Ni
notes in the same raga, the
characteristics of the Kafi
Thaat are highlighted. Ni Sa Dha Ni (
komal) Re, Re
Ga (
komal) Re Sa...
- as
necessary to
indicate the octave: for example, ``g
would be the note
komal Ga in the
octave two
octaves below that
which begins on the note S (that is...
-
Ga (gandhar)
komal is used in a slow
vibrato (andolan) on this note. Similarly,
komal Dha is also used by Andolan. The
Andolan of
komal Ga and
komal Dha...
- Aroha: N' S g m P N S' Avaroha: S" N D P, m P g, m g R S The raag has
Komal Ga. It is an Audava-Sampoorna raga,
implying that it has 5
notes in Arohana...
- M̄ Ḏ N Ṡ
Avarohana Ṡ N Ḏ P M̄ G̱ Ṟ S Ṡ N Ḏ P M̄ Ḏ M̄ G̱ Ṟ G̱ Ṟ S
Komal Dha and
Komal Ga. Re,
ga and dha are
intoned slightly low, and
tivra ma is very sharp...
- and
lowercase letters.
Natural is
called shudda. Re,
Ga, Dha, and Ni may be
either shudda or
komal; Ma may be
either shudda or
tivar and is then called...
