-
Shostakovich may have
originally conceived the work for cello.
According to
Sofia Khentova, the
viola sonatas of Mieczysław
Weinberg and
Grigory Frid had been the...
- (2000), p. 18.
Fairclough &
Fanning (2008), p. 73. Fay (2000), pp. 29–30.
Khentova,
Sofia (1975). Молодые годы Шостаковича, Книга 1 [The
Young Years of Shostakovich...
-
McBurney 2023, p. 161.
Hulme 2010, pp. 250–251.
McBurney 2023, p. 163.
Khentova 1986, p. 193.
Hulme 2010, p. 261.
McBurney 2023, p. 164.
Hulme 2010, p...
- when one is at work.
Shostakovich later made
similar remarks to
Sofia Khentova,
telling her that the
symphony did not "allow [him] a moment's rest": It...
-
Polia Chentoff or
Polina Chentova (1896–1933) was a
Russian artist,
known for her paintings,
sculptures and book illustrations, who
spent a
large part...
- p. 361. ISBN 978-5-88812-814-5.
Khentova 1985, p. 556.
Shostakovich 2016, p. 217.
Khentova 1985, pp. 539–540.
Khentova 1985, p. 539.
Glikman 2001, p. 313...
- misleading. Lissitzky's
works inspired many artists. In 1920s,
Polina Khentova, Lissitzky's good
friend from his
early days in Moscow,
created embroidery...
- Композитор. pp. 160–161. ISBN 5-7379-0027-4.
Khentova 1985, p. 99.
Khentova 1985, p. 104.
Khentova 1975, p. 113.
Khentova 1975, p. 145.
Miller 2013, p. 278. Miller...
-
composition suggests that this
could not have been the case. When
Sofia Khentova asked Shostakovich in 1974
whether the
Eleventh was a
veiled reference...
-
Morrison 2009, pp. 173.
Morrison 2009, pp. 174.
Khentova 1985, p. 522–523.
Khentova 1985, p. 523.
Khentova 1985, p. 524.
Berman 2011, pp. 399–400. Berman...
