- Karl
Heinrich Kettelhut (1
November 1893 – 13
March 1979) was a
German production designer, art
director and set decorator.
Kettelhut is
considered one...
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beautiful and
powerful – the film's art
direction by Otto Hunte,
Erich Kettelhut, and Karl
Vollbrecht draws influence from opera, Bauhaus, Cubist, and...
-
during the 1930s. The film's sets were
designed by the art
director Erich Kettelhut. It was a
remake of the 1924
silent film of the same title. Erna Sack...
-
multiple exposure method used.
According to the film's set designer,
Erich Kettelhut, a gl****
plate was
positioned halfway between the
robot and the camera...
-
Walter Müller. The film's sets were
designed by the art
director Erich Kettelhut. It was shot at the
Babelsberg and
Tempelhof Studios in Berlin, using...
-
Aenne Willkomm (17 June 1902 – 20 June 1979),
later Aenne Kettelhut, was a
German costume designer, born in Shanghai. She
worked in
German silent films...
- The film's sets were
designed by Otto Hunte. The art
directors Erich Kettelhut and
Robert Neppach were emplo****
designing models for the production....
-
screenplay and work out
production details.
Praising Harbou's skills,
Erich Kettelhut recalled: "She was not only well-liked by her colleagues, but also as...
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Studios in Berlin. The film's sets were
designed by the art
director Erich Kettelhut. New York City in the 1930s: When the
court reporter of the
Morning Post...
-
Studios in Berlin. The film's sets were
designed by art
director Erich Kettelhut. Made on a
large budget of 2,349,000 ℛ︁ℳ︁, the film was a po****r box...
