- (1976), 76. Ross, 360.
Jameux 61–62, 71–72; Aguila, 156.
Heyworth (1986), 21;
Jameux, 62–64;
Campbell and O'Hagan, 9; Aguila, 55.
Jameux, 65–67;
Peyser (1976)...
-
Dominique Jameux (24
December 1939 – 2 July 2015) was a
French musicologist,
radio producer and writer.
Dominique Jameux collaborated with the Atelier...
- 10-11.
Jameux 1991, p. 151.
Lochhead 1997, p. 1337.
Jameux 1991, p. 214-215.
Stacey 1987, p. 106.
Stacey 1987, p. 116.
Bradshaw 1986, p. 209.
Jameux 1991...
- m****cript)
Jameux 1991, 10–14.
Jameux 1991, 15.
Peyser 2008, 130.
Gable 1990, 436.
Peyser 2008, 132.
Jameux 1991, 16.
Peyser 2008, 134.
Jameux 1991, 11...
-
Griffiths 1978, p. 52.
Jameux 1991, p. 133.
Gable 1990, p. 441. Di
Pietro 2001, p. 39.
Jameux 1991, p. 336–337.
Jameux 1991, p. 335.
Jameux 1991, p. 132. Boulez...
-
composition for
orchestra in
eight groups by
Pierre Boulez.
Biographer Dominique Jameux wrote that the
piece has "obvious
audience appeal", and that it represented...
- 2016, p. 241–242.
Boulez 1976, p. 81.
Jameux 1991, p. 344.
Bradshaw 1986, p. 199.
Jameux 1991, p. 343.
Jameux 1991, p. 146–147.
Bradshaw 1986, p. 198–199...
- a non-traditional
seating plan for the players;
according to
Dominique Jameux, the
process of
setting up for the
performance took
roughly twice as long...
-
Griffiths 1971, p. 753.
Piencikowski 2016, p. 103.
Bradshaw 1986, p. 202–205.
Jameux 1991, p. 341. "Boulez - Éclat/Multiples for orchestra".
Universal Edition...
-
Potter 2024, p. 162–163.
Stacey 1987, p. 80.
Jameux 1991, p. 38–39.
Potter 2024, p. 163.
Clements 2016.
Jameux 1991, p. 149.
Boulez 1976, p. 49. "Pierre...
