- The
Hypodorian mode, a
musical term
literally meaning 'below Dorian',
derives its name from a
tonos or
octave species of
ancient Greece which, in its diatonic...
-
semitones higher than the
lowest "position of the voice",
which was
called Hypodorian. In the mid-16th century, this name was
given by
Heinrich Glarean to his...
- Hypophrygian:
lichanos meson–paranete
hyperbolaion (g′–g″) Common, Locrian, or
Hypodorian: mese–nete
hyperbolaion or proslambanomenos–mese (a′–a″ or a–a′) These...
-
first tetrachord is also the
bottom note of the second),
produces the
Hypodorian ("below Dorian")
octave species: A | B C D E | (E) F G A.
Placing the...
- odd-numbered
authentic mode with the
addition of the
prefix "hypo-":
Hypodorian, Hypophrygian, Hypolydian, and Hypomixolydian. The
earliest definition...
-
system (or scale) by
semitone over the
range of an
octave between the
Hypodorian and the Hypermixolydian.
According to Cleonides, Aristoxenus's transpositional...
-
transposition was the second-lowest of these, a
whole tone
above the
Hypodorian. A
whole tone
higher was the Hypolydian,
followed a
semitone higher still...
-
Authentic Dorian Phrygian Lydian Mixolydian Plagal Hypodorian Hypophrygian Hypolydian Hypomixolydian...
- The Gr****s used the term "Locrian" as an
alternative name for
their "
Hypodorian", or "common" tonos, with a
scale running from mese to nete hyperbolaion...
-
Authentic modes Plagal modes I.
Dorian II.
Hypodorian III.
Phrygian IV.
Hypophrygian V.
Lydian VI.
Hypolydian VII.
Mixolydian VIII. Hypomixolydian...
