- the "e"
remains unelided but is
hypermetrical (outside the
count of syllables, like a
feminine ending in
English verse), in that case, the
rhyme is also...
-
falls at the end of a line, the mute "e" is
hypermetrical (outside the
count of syllables).
Polish syllabic verse is
similar to French. The most
common lengths...
- example. The
amphibrach is also
often used in
ballads and
light verse, such as the
hypermetrical lines of Sir John Betjeman's poem "Meditation on the A30" (1966)...
- "j'aime"—which are
followed by vowels—are
elided and
hypermetrical); the mute e at the end of "qui m'aime" is
hypermetrical (this is a so-called "feminine rhyme")....
- (1942), The
Rhythm of Beowulf: an
interpretation of the
normal and
hypermetric verse-forms in Old
English poetry, Yale
University Press. Powell, K. (2009)...
-
concept of
metre from poetry,
where it
denotes the
number of
lines in a
verse, the
number of
syllables in each line, and the
arrangement of
those syllables...
-
expected to
introduce a new
speaker and seem
redundant (as well as
hypermetrical) in the m****cript version. Alternatively, De Boor
would place the lines...
- haven't seen you for ages" or "as old as the hills".
hypercatalectic hypermetrical hypocorism hypotactic A term
referring to the use of
different subordinate...
- endings. To this
schema Milton introduced modifications,
which included hypermetrical syllables (trisyllabic feet),
inversion or
slighting of stresses, and...
-
classical and Anglo-Saxon scholar,
translator and headmaster,
known for his
verse translations of The
Iliad (1938, selections) and The
Odyssey (1948, complete)...
