- In Gr**** mythology,
Hypate /ˈhɪpətiː/ (Ὑπάτη) was one of the
three Muses of the lyre who were
worshipped at Delphi,
where the
Temple of
Apollo and the...
- Quintili****—the
paradigmatic tetrachord was
bounded by the
fixed tones hypate and mese,
which are a
perfect fourth apart and do not vary from one genus...
- thirds; and
although the
piece ends on
hypate, that is the only
occurrence of this note. This
instance of
hypate probably derives its
suitability as a...
-
three Muses were
worshipped as well, but with
other names: Nētē, Mesē, and
Hypatē,
which are the
names of the
three chords of the
ancient musical instrument...
- Cephisso, Apollonis, and Borysthenis, are also
known as Nētē, Mesē, and
Hypatē where their names are
synonymous with
those of the lowest, middle, and highest...
-
tuning of the tetrachord, its four
degrees are named, in
ascending order,
hypate, parhypate,
lichanos (or hypermese), and mese and, for the
second tetrachord...
- too
three Muses were worshipped, but with
other names: Nete, Mese, and
Hypate,
which are ****igned as the
names of the
three chords of the
ancient musical...
- inverted. In its
diatonic genus, this is a
scale descending from
paramese to
hypate hypaton: in the
diatonic genus, a
whole tone (paramese to mese) followed...
-
tetrachords (four-note segments)
separated by a
whole tone,
running from the
hypate meson to the nete diezeugmenon. In the
enharmonic genus, the
intervals in...
-
notes of the lyre. Her
sisters that were
worshipped along with her were
Hypate and Mese.
These three muses were
comparable to the
original three, Aoide...
