- αναβαίνοντός σου» (echos
plagios tetartos)
Doxastikon apostichon for
Hesperinos of Good
Friday «Σε τον αναβαλλόμενον το φώς» (echos
plagios protos) Resurrection...
-
thematic structure of the
stichera anastasima which had to be sung
during Hesperinos on Sa****ay and
during Orthros on Sunday, were
emphasised and ordered...
-
collections of the
Octoechos had been
separated as own
books about certain Hesperinos psalms like the
Anoixantarion an
octoechos collection for the
psalm 103...
-
maintains a
daily cycle of
seven non-sacramental services:
Vespers (Gk.
Hesperinos) at
sunset commences the
liturgical day
Compline (Gk. Apodeipnou, "after...
- στιχηρά) is a hymn of a
particular genre sung
during the
daily evening (
Hesperinos/Vespers) and
morning (Orthros) offices, and some
other services, of the...
- stichera,
accompanying both the
fixed psalms at the
beginning and end of
Hesperinos and the
psalmody of the
Orthros (the Ainoi) in the
Morning Office, exist...
-
third antiphonon at the
beginning of the
divine liturgy as well as of
hesperinos. In the West,
there were
liturgical customs in
Spain and France, where...
-
Mozarabic Vespers are
constructed on this principle, and so is the
Byzantine Hesperinos.
Caesarius mentions a
blessing given by the
bishop at the end of Lucernarium...
-
stichera anastasima (three
stichera in each echos) or the
kekragarion cycle (
Hesperinos Psalm 140),
appeared very late in
Byzantine chant books—some of them not...
-
melos of the echos. The
following book
Kekragarion illustrates, how the
hesperinos psalm κύριε ἐκέκραξα has to be sung
according to the
sticheraric melos...
