- 254.
Shadwick 2001, p. 228.
Eagle &
LeBlanc 2013, p. 534.
Herzhaft 1992, pp. 34–35.
Herzhaft 1992, p. 103.
AllMusic 1996, p. 8.
AllMusic 1996, p. 12. Eagle...
- 187 Pearson, Barry. In
Nothing but the Blues. p. 342
Herzhaft, p. 11
Herzhaft, p. 236
Herzhaft, p. 35
Palmer (1981), pp. 257–259 Komara, p. 49 "Blues"...
-
individual songwriters are
sometimes unidentified.
Blues historian Gerard Herzhaft noted: In the case of very old
blues songs,
there is the
constant recourse...
-
Shadwick 2001, p. 315.
Herzhaft 1992, pp. 177–178.
AllMusic 1996, pp. 140–141.
AllMusic 2003, p. 234.
Shadwick 2001, p. 405.
Herzhaft 1992, pp. 208–209. AllMusic...
- and
rearranged pieces in
blues history" by
French music historian Gérard
Herzhaft.
After World War II,
Chicago blues and
rhythm and
blues artists adapted...
- (Rough Guides, 1999), p. 250. G.
Herzhaft,
Encyclopedia of the
Blues (University of
Arkansas Press, 1997), p. 95. G.
Herzhaft,
Encyclopedia of the
Blues (University...
-
Palmer 1981, p. 214.
Herzhaft 1992, p. 162.
Charters 1973, p. 29.
Romano 2006, p. 48.
Romano 2006, p. 149.
Evans 2005, p. 184.
Herzhaft 1992, p. 435. Barrett...
-
Rolling Stones. Not long
before Wells died, the
blues historian Gerard Herzhaft called him "one of the rare
active survivors of the 'golden age of the...
- Mann 1979, eBook.
Aldin 1997, pp. 7–8.
Herzhaft 1992, p. 272.
Aldin 1997, p. 9.
Herzhaft 1992, pp. 272–273.
Herzhaft 1992, p. 273. Dahl 1996, p. 202. Koda...
- the line "I'm a poor boy a long way from home."
Blues historian Gérard
Herzhaft [fr]
described it as: much a part of
black folklore as it is of
white folklore...
