- text that
cleverly explicates its own
musical form.
Fugues (or fughettas/
fugatos) have been
incorporated into
genres outside Western classical music. Several...
-
introduction in a
marked "dotted rhythm",
followed by a
lively movement in
fugato style. The
overture was
frequently followed by a
series of
dance tunes before...
-
explorations and counterpoint,
including a new
scalar figure in bars 165-173 and a
fugato derived from the main
theme of the
second group (mm. 236-246). The music...
- laube": Sehr
ruhig –
Fugato: "Der
Gutzgauch auf dem
Zaune s****" ("Now grow leaves,
little linden tree, grow leaves": very calm –
Fugato: "The
Cuckoo Sat on...
- theme,
similar to that of the
later C
major Concerto No. 21, but
introduced fugato. The
orchestral introduction builds to an
impressive tutti, but many writers...
- the
formal fugue that
preceded it and the one that
follows it. It is a
fugato, a
section that
combines contrapuntal writing with homophony. "After the...
- umschlungen, Millionen!" It
begins at
Andante maestoso (bars 595–654).
Fugato finale on the
themes of the
first and
third "movements". It
begins at Allegro...
- auf!" (wake up!) and "wo, wo?" (where, where?), and long
melismas in a
fugato on "Halleluja". John
Eliot Gardiner, who
conducted the Bach
Cantata Pilgrimage...
-
stripes we are healed"
chorus from Handel's Messiah,
since the
subject of the
fugato is the same with only
slight variations by
adding ornaments on melismata...
- Finally, a
distinctive characteristic of this
symphony is the five-voice
fugato (representing the five
major themes) at the end of the
fourth movement....
