- text that
cleverly explicates its own
musical form.
Fugues (or fughettas/
fugatos) have been
incorporated into
genres outside Western classical music. Several...
-
explorations and counterpoint,
including a new
scalar figure in bars 165-173 and a
fugato derived from the main
theme of the
second group (mm. 236-246). The music...
-
introduction in a
marked "dotted rhythm",
followed by a
lively movement in
fugato style. The
overture was
frequently followed by a
series of
dance tunes before...
- laube": Sehr
ruhig –
Fugato: "Der
Gutzgauch auf dem
Zaune s****" ("Now grow leaves,
little linden tree, grow leaves": very calm –
Fugato: "The
Cuckoo Sat on...
- in the
wrong key (G
major instead of C major); a
pathetic attempt at a
fugato, also in the last movement. The
piece is
notable for one of the earliest...
- umschlungen, Millionen!" It
begins at
Andante maestoso (bars 595–654).
Fugato finale on the
themes of the
first and
third "movements". It
begins at Allegro...
- theme,
similar to that of the
later C
major Concerto No. 21, but
introduced fugato. The
orchestral introduction builds to an
impressive tutti, but many writers...
-
distinctive characteristic of this
symphony is the five-voice
quintuple fugato (representing the five
major themes) at the end of the
fourth movement....
- auf!" (wake up!) and "wo, wo?" (where, where?), and long
melismas in a
fugato on "Halleluja". John
Eliot Gardiner, who
conducted the Bach
Cantata Pilgrimage...
- refrains. A short, three-part
vocal counterpoint,
referenced by
Lambert as a
fugato,
overlays the refrain's
upward transposition before settling in A♭, the...
