- The
ElectroComp 100 was
followed by the
similar (and
higher production)
ElectroComp 101. 1972: The
ElectroComp 101 -
duophonic The
ElectroComp 300 -...
- Bensick. Soon after,
Ravenstine purchased his
first synthesizer, an
ElectroComp EML 200, and
began ****ociating with the
garage band
Rocket from the Tombs...
-
synthesizers used on the
album include a Minimoog, a Moog Liberation, an
ElectroComp 500 (for the whip
crack sounds on "Whip It") and a custom-made Moog called...
-
right on ARP 2500 (1970) EML
Sequencer 400 (top ×2, 6×16 step) on EML
ElectroComp modular synthesizer (1970)
Buchla 250e
Arbitrary Function Generator A...
- lead
vocals and
backing vocals,
acoustic piano Patrick Cowley – string,
Electro-
comp 101 and 200
models synthesizers and
Oberheim DS-2 sequencer, special...
- Proc. of the 10th
International Conference on
Ubiquitous Computing (Ubi
Comp 2008),
pages 84–93, ACM Press, 2008 Bulling, A. et al.:
Robust Recognition...
-
second single the
following year.
Ravenstine pla**** his part on an EML
ElectroComp 200 synthesizer.
Herman found Ravenstine's
synthesizer playing underappreciated...
-
fiction element to Weezer's sound, he used
synthesizers including an
Electrocomp 101 he had
recently purchased from a pawn shop in
rural Connecticut....
- the song,
there are
whipcracking noises that were
recorded using an
Electrocomp 500
synthesizer and
Neumann KM 84 and U 87 microphones. The
music for...
-
synthesizer (Buchla
Music Easel, EMS Synthi, ARP 2600, Oscar, Korg Mono/Poly,
Electrocomp 101, Moog Werkstatt) Rob Frye -
woodwind Simon Heyworth -
mastering Salihah...
