- Red the Rose. Baxter, 1976 p. 53-54
Durgnat and Simmons, 1988: p. 172, p.176
Durgnat and Simmons, 1988: p. 185
Durgnat and Simmons, 1988: p. 181-182: "A...
-
Raymond Durgnat (1
September 1932 – 19 May 2002) was a
British film critic, who was born in
London to
Swiss parents.
During his life he
wrote for virtually...
- 165–169.
Durgnat, p. 252.
Durgnat, p. 261.
Durgnat, p. 259. Volk, p. 24. My Life and My Films, p. 247
Thompson and LoBianco, pp. 207, 270
Durgnat, pp. 273–274...
-
Durgnat and
Simmon 1988 p. 96: “...limited
availability of the two stars...” And “[shooting]
plagued by
storm delays...”
Baxter 1976 p. 48:
Durgnat and...
- Mire". The New York Times.
Retrieved 12 May 2017.
Durgnat,
Raymond (1974). Jean Renoir:
Raymond Durgnat.
University of
California Press. pp. 224–8. ISBN 978-0-520-02283-6...
-
Durgnat and Simmon, 1988 p. 271 And p. 308:
Durgnat considers Beyond the
Forest and Flaubert's
Madame Bovary "approximate pairs" in theme.
Durgnat and...
-
Sound has in the past been the
subject of criticism,
notably from
Raymond Durgnat, who
often accused it of elitism,
puritanism and snobbery,
although he...
- see, e.g.,
Neale (2000), p. 164;
Ottoson (1981), p. 2;
Schrader (1972);
Durgnat (1970). Conrad, Mark T. (2006). The
Philosophy of Film Noir. University...
-
Island (1966) The
Blood Rose (1970)
White Fire (1984)
Neupert p.280
Durgnat p.151
Durgnat, Raymond. Luis Bunuel.
University of
California Press, 1968. Neupert...
- explodes,
reducing the
items to
debris once more. Film
critic Raymond Durgnat describes Renaissance as "a
remembrance of
things past, a
meditation on...
