-
Dhaivata (Sanskrit: धैवत, romanized: Dhaivata) is the
sixth svara from the
seven svaras of
Hindustani music and
Carnatic music.
Dhaivata is the long form...
- (i.e. Shadaj, Rishabh, Gandhar, Madhyam, Pancham,
Dhaivat and Nishad). But the
rishabh and the
dhaivat are
komal both in
ascent and
descent and the madhyam...
- most used, prin****l note of a raga on
which a
pause may be taken) is
dhaivat and the
samavaadi swar (the second-most used
important note ****isting the...
- with
Panchama in the
phrase PA MA' GA MA GA. In Avarohana,
Rishabh and
Dhaivat are not used as
resting notes, but they are used in meend. In this raga...
- Ṡ Ṉ D P M G̱ R S The raga has
komal Ni and Ga.
Rishabh ((re)second) and
dhaivat ((Dha)sixth) are
skipped in āroha (ascending) p****ages, but are
given due...
- music. The notes, or swar, are Shadj, Rishabh, Gandhara, Madhyam, Pancham,
Dhaivat, Nishad. When
singing these become Sa, Re, Ga, Ma, Pa, Dha, Ni, and sargam...
- used as a Kan Swar of
Komal Dhaivat like: S' (N)d P.
Sometimes Komal Nishad is also used as a Kan Swar with
Komal Dhaivat like: M P d (n)d M ; M r S to...
- raga
belonging to
Bhairav Thaat. In this raga, as in Bhairav,
Rishabh and
Dhaivat are Komal(flat), but the
Teevra and the flat
nishad are added. The vadi-samvadi...
-
genres of
Bhajan and the
light classical form of Thumri. The
Rishabh and
Dhaivat used here are
oscillating which is
strongly recommended in this Raga and...
- role of the
komal gandhar is crucial, as is
dwelling on the
lower komal dhaivat for some time.
Other ragas in the
Kanada family include Abhogi Kanada,...