-
Dhaivata (Sanskrit: धैवत, romanized: Dhaivata) is the
sixth svara from the
seven svaras of
Hindustani music and
Carnatic music.
Dhaivata is the long form...
- with
Panchama in the
phrase PA MA' GA MA GA. In Avarohana,
Rishabh and
Dhaivat are not used as
resting notes, but they are used in meend. In this raga...
- (i.e. Shadaj, Rishabh, Gandhar, Madhyam, Pancham,
Dhaivat and Nishad). But the
rishabh and the
dhaivat are
komal both in
ascent and
descent and the madhyam...
- most used, prin****l note of a raga on
which a
pause may be taken) is
dhaivat and the
samavaadi swar (the second-most used
important note ****isting the...
- Ṡ Ṉ D P M G̱ R S The raga has
komal Ni and Ga.
Rishabh ((re)second) and
dhaivat ((Dha)sixth) are
skipped in āroha (ascending) p****ages, but are
given due...
- music. The notes, or swar, are Shadj, Rishabh, Gandhara, Madhyam, Pancham,
Dhaivat, Nishad. When
singing these become Sa, Re, Ga, Ma, Pa, Dha, Ni, and sargam...
-
Shadja (Sa),
Rishabha (Ri), Gāndhāra (Ga),
Madhyama (Ma),
Panchama (Pa),
Dhaivat (Dha),
Nishada (Ni),
Shadja (Sa)
which comprise a
musical scale in Indian...
- raga
belonging to
Bhairav Thaat. In this raga, as in Bhairav,
Rishabh and
Dhaivat are
Komal (flat), but the
Teevra land the flat
nishad are added. The vadi-samvadi...
- Kafi thaat. Sadharana/Komal
Gandhar (Ga) and Chaturshruti/Shudda/Komal
Dhaivat (Dha) are
vakra (zigzag) in
descent and are used in
phrases like gMR and...
- गान्धार) = Mi Ma (Madhyama (music) मध्यम) = Fa Pa (Pancham पञ्चम) = So Dha (
Dhaivat धैवत) = La Ni (Nishād निषाद) = Ti Sa (ṣaḍja षड्ज) = Do Both
systems repeat...
