-
rutina in 1929
added a
vocal part,
thereby creating a new
genre called the
danzonete.
Later development led to more syncopation,
which eventually led to the...
- The
group performed at
dance halls in
Havana where they pla**** danzón,
danzonete, and danzon-mambo for dance-oriented crowds. Jorrín
noticed that many...
-
flute and the
voices in a way that
became standardized in danzón and
danzonete. The prin****l
element that
differentiates cha-cha-chá from danzón is...
-
singer of
danzonetes (sung danzones). She
became the
leading exponent of the
genre during the 1930s,
being nicknamed La
Emperatriz del
Danzonete (The Empress...
-
Bolero in the danzón: the
advent of
lyrics in the danzón to
produce the
danzonete. The bolero-son: long-time
favourite dance music in Cuba,
captured abroad...
-
Salsa music songo timba Subgenres Son montuno, sucu-sucu
Fusion genres Danzonete afro-son bolero-son guajira-son
rhumba Congolese rumba Regional scenes...
- was
called Rompiendo la rutina,
thereby creating a new
genre called the
Danzonete. Later, the
black singer Barbarito Diez
joined the
charanga of Antonio...
- In 1941, González
moved to
Havana where he pla**** in the
charanga of
danzonete singer Paulina Álvarez, as well as
Orquesta Elósegui and the orchestra...
-
released as the
sixth single from the
album in 1993 by Epic Records. It is a
danzonete ballad, that
according to a
music journalist,
speaks of a "romantic ode"...
- Rodríguez and
Compay Segundo, respectively. The
latter was
written for
danzonete singer Pablo Quevedo in 1934. His
repertoire included boleros, canciones...
