- 1998, p. 39.
Macan 1997, p. 15,20.
Martin 1998, pp. 39–40.
Covach 1997, p. 3.
Boone &
Covach 1997, pp. 41–46. Interrante,
Scott (20 May 2015). "The 12...
-
Lichtenfeld 2001, 134–35.
Lichtenfeld 2001, 134.
Covach 1990,[page needed].
Covach 1990, [page needed].
Covach 1992, [page needed]. "Josef M.
Hauer / Hermann...
- Press. ISBN 0-19-517010-5.
Covach, John and Boone, Graham, eds.
Understanding Rock:
Essays in
Musical Analysis.
Cited in
Covach (2005). Everett, Walter,...
-
dedication to Jimi. And then we
wrote a song on top of it.
Music writers Covach and
Boone describe the riff as blues-derived,
using a
minor blues pentatonic...
- 2004), ISBN 0-8160-5266-2, pp. 251–52.
Campbell &
Brody 2007, p. 117 J.
Covach, "From
craft to art:
formal structure in the
music of the Beatles", in K...
-
feature of 'modern'
musical practice, the ostinato". Additionally, John
Covach argues that the
strict distinction between the two,
emphasized by authors...
- "The
Rolling Stones". Rock & Roll Hall of Fame.
Retrieved 6
October 2017.
Covach, John; Coelho,
Victor (2019). The
Cambridge Companion to the
Rolling Stones...
-
blues riffs, and most of
these riffs probably precede the
examples given (
Covach 2005, p. 71). In
classical music,
individual musical phrases used as the...
-
Campbell &
James Brody (2007), Rock and Roll: An Introduction, page 117
Covach, John. "Form in Rock Music: A Primer", p.71, in Stein,
Deborah (2005). Engaging...
- movements".
Comparing "Good Vibrations" to Wilson's past work,
musicologist John
Covach traces the song's "intensely
experimental quality" to Wilson's lush, quasi-symphonic...
