- by
composers such as
Ockeghem and Obrecht, the
contratenor split into
contratenor altus and
contratenor b****us,
which were
respectively above and below...
-
composers of Ockeghem's
generation wrote two
contratenor parts and
designated them as
contratenor altus and
contratenor b****us; they were
respectively higher...
-
Cantus firmus melody.
Until the late 16th-century
introduction of the
contratenor singers, the
tenor was
usually the
lowest voice, ****uming the role of...
- in concert, and in
liturgical settings. Its prin****l role was as the
contratenor part in a
dance band. It was also used,
along with shawms, in
bands sponsored...
- continuation, continuative, continue, continuity, continuous, continuum,
contratenor, countenance, detain, detainder, detainee, detainer, detainment, detention...
- of the
Chigi codex,
showing the
Kyrie of Ockeghem's
Missa Ecce
ancilla Domini.
Cantus and
tenor are on the left page,
contratenor and b****us on right....
- fert /
Neuma Impudenter circuivi /
Virtutibus /
Contratenor /
Tenor O
canenda / Rex quem /
Contratenor / Rex
regum Petre clemens /
Lugentium /
Tenor Tribum...
- (incompatible)
alternatives for the
third voice in Or se depart—a
triplum and a
contratenor (Reaney 2001). The
other two
ballades are in
Dutch (Eer ende lof heb...
- (with text),
contratenor, and
tenor (without text)—was an
older style and
atypical of the
usual three part—cantus (with text),
contratenor and
tenor (without...
- is sung by a
soprano (today the role is
often sung by a male
tenor or
contratenor) Mozart's Le
nozze di Figaro: "Cherubino" is sung by a mezzo-soprano...
