-
questioned whether the
consumed figure is male. The art
historian John J.
Ciofalo writes that "the
victim appears to be an
adult and,
given the curvaceous...
- the
natural world is
decidedly not visible. The art historian, John J.
Ciofalo, writes: "with
thick coats of
radiant white paint, Goya has
literally and...
- run amok; it
begins with The
Dream of
Reason Produces Monsters. John J.
Ciofalo has written: "Truly, however,
placing it in the
middle made its meaning...
-
images in
classical times.
Ciofalo, John J. (December 1995). "Unveiling Goya's Rape of Galatea". Art History, pp. 477–98.
Ciofalo, John J. (2001). "The Art...
- artist's own
apparent estimation of his
consistent royal patron. John J.
Ciofalo writes that
while "Velázquez
sought to
bridge the gap
between art and the...
-
Encyclopedia of Romanticism. Secaucus, N.J.:
Chartwell Books. ISBN 0-89009-707-0.
Ciofalo, John J. 2001. "The
Ascent of
Genius in the
Court and Academy." The Self-Portraits...
- Neurology. 20 (2): 90–91. doi:10.1016/S1474-4422(20)30479-8. PMID 33484650.
Ciofalo, John J. (2009), The Raft: A Play
about the
Tragic Life of Théodore Géricault...
-
Contrary to the idea of an
erotic charge, the art historian, John J.
Ciofalo, writes, that the artist's
illness in 1793 and the
deafness that resulted...
- Linda.
Francisco de Goya. Cologne: Könemann, 1999. ISBN 3-8290-2930-6
Ciofalo, John J. The Self-Portraits of
Francisco Goya.
Cambridge University Press...
-
mental illness in the
works of
earlier artists such as Hogarth. John J.
Ciofalo writes that "there is a
virtual vacuum of
unreason inhabited and realized...
